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To introduce students to a significant body of knowledge of a complexity appropriate to second year level.The plays are considered within their contemporary national context and in comparison to each other, to other plays from the periods covered and to other non-Spanish re-creations of the legendary figure (read in translation where necessary), such as Moli�res play Don Juan ou le festine de pierre (1665), Mozart's opera (with libretto by Da Ponte) Don Giovanni (1787), and Byron's mock epic poem Don Juan (1819-24). This unit centres on three contrasting Spanish versions of the Don Juan myth: El burlador de Sevilla o convidado de piedra, by Tirso de Molina (1630) Don Juan Tenorio by Jos� Zorilla (1844) and Las galas del difunto by Ram�n del Valle-Incl�n (1930). The Masks of Don Juan: Representations of the Legendary Figure in Spain, 1630-1930ĭepartment of Hispanic, Portuguese and Latin American Studies Please see the current academic year for up to date information. Please note: you are viewing unit and programme informationįor a past academic year.
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